It’s still woefully under-documented, but Seattle in the ’90s and early 2000s had an exciting, diverse music scene populated by a shocking number of familiar faces from the indie rock world. The band was birthed out of a Pacific Northwest music scene equally impacted by Built To Spill’s noodly guitar wizardry and the Christian rock monolith Tooth & Nail Records. Like the characters that populate Flannery O’Connor’s stories, they would be good people if there had been somebody there to shoot them every minute of their lives. Pedro The Lion songs are often character studies, heartrending ballads with a touch of bile that follow the foolhardy and proud through the inevitable consequences of their actions.
Pedro The Lion formed in 1995 as a vehicle for the songwriting talents of David Bazan, the perpetually bearded and black-T-shirt-clad son of a pastor with a resonant croon and a novelist’s eye for detail. However, on the 20th anniversary of Control, Bazan is once again the frontman of Pedro The Lion, and part of the answer to why he came back, I believe, lies somewhere in the enduring power of this album. He makes three times as much playing shows as Pedro: “That’s just what the reality is.” He was long aware of the financial disparity, but still resisted and performed under his own name, needing space from what that band connoted both to the audience and to himself. In 2017, Bazan told Stereogum that, just from a practical standpoint, finances frankly did impact his return to the name. So it might seem little more than cynical marketing to return to a band name 12 years dormant, one tied to his career as a Christian musician, and one that doesn’t connote any specific lineup of performers beyond Bazan himself. His domineering creative process became a source of serious tension in the band. Bazan wrote and recorded between 90-100% of everything himself. After over a decade away, why come back to that band name? Even before Bazan took to recording and performing under his own name, the albums released as Pedro The Lion were, for all intents and purposes, solo efforts. The journey back to Pedro was a long and winding one. However, the tour poster now reads Pedro The Lion.
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Today, as I type this, Bazan is once again on a national tour - the tours of David Bazan, as it says in the scriptures, are “like the sand of the sea, too numerous to be counted.” He’s not playing Control in full this time, although the album turns 20 years old this Saturday. In 2012, although he was consenting to play the songs, it was as himself, as David Bazan, not as the band that wrote these songs from a much different place. His first solo album, Curse Your Branches, detailed this journey out of the fold and into a quest for peace absent from Christianity’s rigid precepts. Following the release of 2004’s Achilles Heel, Bazan dissolved the band and abandoned the name Pedro The Lion amidst a personal loss of religious faith.
Although the accompanying shift in Bazan’s sound could more rightly be deemed a “refinement” than a “departure,” the break with the band name was firm and intentional.
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